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c. 1445 – May 17, 1510. Italian painter.

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Jean - Baptiste Carpeaux
Portrait of Antoine Vollon

ID: 84456

Jean - Baptiste Carpeaux Portrait of Antoine Vollon
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Jean - Baptiste Carpeaux Portrait of Antoine Vollon


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Jean - Baptiste Carpeaux

French Realist Sculptor, 1827-1875. French Realist Sculptor, 1827-1875.French sculptor, painter, draughtsman and etcher. He was one of the leading sculptors of the Second Empire (1852-70) in France.   Related Paintings of Jean - Baptiste Carpeaux :. | Conscience, Judas | Tankard with Oysters, Bread and an Orange resting on a Draped Ledge | The Card Players | Oil painting reproduction of Ferdinand du Puigaudeau. | Descent from the Cross. |
Related Artists:
BRUEGHEL, Jan the Elder
Flemish painter (bc1568, Bruxelles, d. 1625, Antwerpen).
HEMESSEN, Jan Sanders van
Netherlandish Mannerist Painter, ca.1500-1566 was a Flemish Northern Renaissance painter. He was born in Hemiksem, then called Hemessen or Heymissen. Following studies in Italy, in 1524 he settled in Antwerp. A mannerist, his images focused on human failings such as greed and vanity. Like his daughter, Catarina van Hemessen, he also painted portraits. Jan Sanders van Hemessen was a Flemish Northern Renaissance painter. Jan Sanders van Hemessen was from Netherlands. The type of movement he did was mannerism Jan Sanders was born in Hemessen but settled in Antwerp in 1524 after studying in Italy. Hemessen specialized in scenes of human character flaws such as vanity and greed. His pictures are also normally religious and his style helped found the Flemish traditions of genre painting. Hemessen was also a portrait painter, which influenced his daughter to become a Flemish Northern Renaissance painter as well. The Surgeon was painted by Jan Sanders Van Hemessen, in 1555. The oil painting is in a museum called Museo Del Prado, which is in Madrid, Spain. I think the scene painted by Jan Sanders van Hemessen shows a stone cutter at a fair. The surgeon, who is clearly happy that his operations have been successful, painstakingly moves his knife towards the stone, which is already visible. Behind him hang stones which have been successfully cut out of the head of other patients as a sign of his skill.
John Garrick
painted The Death of King Arthur in 1862






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